864 Free Images of Albumen Prints In The Metropolitan Museum Of Art

albumen silver print from glass negativedepartment of photographs, metropolitan museum of artexperiments in physiology. facial expressionsw. bruce and delaney h. lundberg giftadrien alban tournachonphotomontages by eugène apperteugène appertphotographs in the metropolitan museum of artgilman collectiongustave le gray
Figure 81: Lady Macbeth, moderate expression of cruelty, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 45: Pain and despair., Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 20: Profound suffering, with resignation, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 75: Nun saying her prayers, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 49: Painful weeping and forward looking., Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 25: Not an expression of pain, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 22: No painful expression, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 57: Astonishment, stupefaction, amazement, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 54: Voluntary lowering of the lower jaw, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 83: Lady Macbeth, ferocious cruelty, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 16: Expression of severity, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 73: Head of Niobe, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 50: Affected weeping and face in repose, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 9: A study of m. frontalis in maximum contraction, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 3: The face of an old man... photographed in repose., Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 26: Expression of painful attention and attention, attentive gaze., Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 63: Expression of terror, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 15: Mediation, mental concentration, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 27: Expression proportionally more pained, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 82: Lady Macbeth, strong expression of cruelty, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 52: Voluntary retraction of the lower lip, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 4: The face in repose of a young man, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Samuel F. B. Morse, Samuel Finley Breese Morse, circa 1870
samuel finley breese morseportraits of men
[Virgilio Narcisso Diaz de la Pena], Narcisse Virgilio Díaz, 1857–1871
ferdinand mulnierbarbizon school
[Virgilio Narcisso Diaz de la Pena], Narcisse Virgilio Díaz, 1857–1871
ferdinand mulnierbarbizon school
[Sculpture Court Flanked by Torso of Marsyas and Sacrificial Altar; Sculpture Court with Bust of Caracalla; Greek Court with Sculptures of Mercury, Faun, and Ariadne; Roman Court with Three Sculptures of Venus], Philip Henry Delamotte, circa 1859
department of photographs, metropolitan museum of artphilip henry delamotte
[Egyptian Court, Eastern Wall of Principal Court; Egyptian Court, Principal Facade towards the Nave; Lions in the Egyptian Court; [Colonnade Adorned with Egyptian Paintings], Philip Henry Delamotte, circa 1859
department of photographs, metropolitan museum of artphilip henry delamotte
Figure 39: The attention attracted by an object that provokes lascivious ideas and desires., Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 10: Showing the expressive lines of m. frontalis in a young girl, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 21: Painful recollection and recollection or calling something to mind, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention., Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 48: Mild weeping, pity and feeble false laughter, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 55: Astonishment badly rendered by the subject: a ridiculous and inane expression., Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 6: The grimice produced is similar to a tic of the face, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Brig on the Water, Gustave Le Gray, 1856
metropolitan museum of artbrick au clair de lune
Berthe, André-Adolphe-Eugène Disdéri
department of photographs, metropolitan museum of artphotographs by andré adolphe eugène disdéri
Figure 12: A study of the contraction of and the expression produced by the superior part of m. orbicularis oculi, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze., Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Assassination of Generals Clément Tomas and Jules Lecomte, rue des Rosiers 6 in Montmartre during the day of March 18, 1871, Eugène Appert, 1870–71
department of photographs, metropolitan museum of artphotomontages by eugène appert
Soldier and Military Camel, Gustave Le Gray, 1866
photographs by gustave le gray in the metropolitan museum of artphotographs in the metropolitan museum of art
Soldier and Military Camel, Gustave Le Gray, 1866
photographs by gustave le gray in the metropolitan museum of artphotographs in the metropolitan museum of art
Du Beaumenil, Forsyth, André-Adolphe-Eugène Disdéri
department of photographs, metropolitan museum of artphotographs by andré adolphe eugène disdéri
Vittorio Emanuele II, Cesare Bernieri, 1867
department of photographs, metropolitan museum of artcesare bernieri
The Visit of the Emperor and Empress to the Crystal Palace, Philip Henry Delamotte, 1855
department of photographs, metropolitan museum of artphilip henry delamotte
Le deux roses, André-Adolphe-Eugène Disdéri, 1860s
department of photographs, metropolitan museum of artphotographs by andré adolphe eugène disdéri
Sala delle Statue, James Anderson, 1850s–60s
department of photographs, metropolitan museum of artjames anderson
Alice Hart, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, Alice Hart, circa 1888
albumen prints in the metropolitan museum of artn45 allen & ginter cigarette cards
Samuel F. B. Morse, Samuel Finley Breese Morse, circa 1870
department of photographs, metropolitan museum of artsamuel finley breese morse
[The Great Wave, Sète], Gustave Le Gray, 1857
albumen silver print from glass negativela grande vague, sète
[The Great Wave, Sète], Gustave Le Gray, 1857
albumen silver print from glass negativela grande vague, sète
[Assyrian Court, Facade Towards the Nave; Elevated View of Assyrian Court; Greek and Roman Sculpture Court; The Three Graces], Philip Henry Delamotte, circa 1859
department of photographs, metropolitan museum of artphilip henry delamotte
Figure 19: Suffering, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Figure 34: Grimace, Adrien Alban Tournachon, 1854–56, printed 1862
department of photographs, metropolitan museum of artexperiments in physiology. facial expressions
Massacre of the Dominicans of Arcueil, Route d'Italie no. 38, May 25, 1871, at 4:30 a.m., Eugène Appert, 1870–71
department of photographs, metropolitan museum of artphotomontages by eugène appert
View of the Seine from the Quai d'Anjou, Charles Nègre, circa 1855
photographs in the metropolitan museum of artphotographs of paris by charles nègre
Execution of hostages, Roquette prison, May 24, Eugène Appert, 24 May 1871
photomontages by eugène appertprison de la roquette
Gustave Le Gray-The Great Wave, Gustave Le Gray, 1857
la grande vague, sète1857 in sète
Massacre of the Dominicans of Arcueil, Route d'Italie no. 38, May 25, at 4:30 a.m., Eugène Appert, 25 May 1871, 16:30
photomontages by eugène appertfiring squad
Massacre of the Dominicans of Arcueil, Route d'Italie no. 38, May 25, at 4:30 a.m., Eugène Appert, 25 May 1871, 16:30
photomontages by eugène appertfiring squad
Assassination of Generals Clément-Thomas and Lecomte, rue des Rosiers 6 in Montmartre on the day of March 18, 1871, Eugène Appert
photomontages by eugène appertclaude lecomte
Chantiers Prison, August 15, Versailles, Eugène Appert, 15 August 1871
photomontages by eugène appertparis commune photographs
Alfred Tennyson, Halbportät, Hut haltend, sitzend in einem Holzstuhl mit hoher Lehne, oben mit einem Bogen abschließender Albuminpapierdruck, Oscar Gustave Rejlander, 1862
pictorialism,pre-raphaelite brotherhoodportraits of alfred lord tennyson
Oscar Wilde Sarony, Napoleon Sarony, 1882
19th-century portrait photographs of sitting men at full length1882 napoleon sarony photographs of oscar wilde
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